The lead-up to the festival this year was disturbed by the very sad news that Vic Williams, co-owner of The Singing Gardens, and husband of Jan Williams, is very ill. My thoughts are with Vic, Jan and their sons at this difficult time.
This year’s festival was very enjoyable and went well, but numbers were significantly down on previous years, which is prompting some soul searching. The cold, wet weather no doubt was a contributing factor, but I am not convinced that this is the whole story.
It began, as always with the Awards Ceremony. This was one of the best attended events of the weekend. Numbers of entries were up on last year, and the standard, as always, was very high. In addition to the prize money and certificates, award winners also received a copy of the festival booklet containing all the winning poems, beautifully produced by Daan Spijer, and a copy of Jack Thompson’s CD, “The Sentimental Bloke. The Poems of C. J. Dennis”, a number of which had been kindly donated to the Society. The new category of short story (500 word limit), now in its second year, appears to be working well. It was especially gratifying to see Jan Williams win First Prize in the ‘Adults Writing for Children’ section, as judged by children, for her poem ‘Scruffy Dog’.
The ‘Open Mike’ and ‘C. J. Dennis Showcase’ followed, with great performances by Jenny Erlanger, Maggie Somerville, David Campbell, Ruth Aldridge and Daan Spijer.
At 5 pm we commenced the performance of ‘Digger Smith’, published 100 years ago, in 1918. Several rehearsals had been held, we were dressed for the part, and I think we acquitted ourselves well. Unfortunately, we played to a very small crowd, which was disappointing. That said the audience, though tiny, was highly attentive and appreciative – and complimentary! We broke after an hour or so for dinner, and then continued for another hour after dinner, completing the book. (The food, it must be said, was as superb as ever!)
(Photo by Tim Sheed)
The Poets’ Breakfast the following morning was attended by myself, Maggie Somerville, David Campbell, Christine Middleton and Tim Sheed. It was great to have Christine and Tim there. Christine is a beautiful harpist, and Tim is an excellent reciter of Australian bush verse.
Christine performed some of the melodies she plays in the course of her work as a music therapist.
Tim recited an old Dennis favourite, “An Old Master”. It was exciting to be able to inform him that he was pretty much standing on the slopes of Mt St Leonard himself as he performed the poem!
We were honoured with the attendance of the local Member of Parliament, Cindy McLeish (State Member for Eildon). I think she was expecting a larger turn-up, but she hid her disappointment well, and in the end I think she really enjoyed the performances.
Maggie Somerville had put the poem “West” from “Digger Smith” to music, and performed it after David Campbell and I had provided something of the context. It was very well received.
David took the opportunity to perform his poem “A School for Politicians”, and I then changed the mood slightly with one of my poems for children, “Yesterday’s Homework”. Maggie and Christine played “No Foe Shall Gather Our Harvest” together to finish the morning show. This poem, by Dame Mary Gilmore, has been put to music by Maggie. She has recorded the song, with Christine playing the harp. However, Christine was recorded in a different studio at a different time to the other musicians, so this was the first time Maggie and Christine had performed the song together.
(Photo by Tim Sheed)
Maggie and I have worked together to create a YouTube video of the song, which can be found here:
(from left to right, David, Tim (back), Christine (front), me, Cindy and Maggie – photo by Melanie Hartnell)
The sun came out after lunch, in time for the ‘moving theatre’ and the children’s ballet. ‘C.J. Dennis’ and ‘Henry Lawson’ received a surprise visit from ‘Dame Mary Gilmore’. ‘Henry’ took the opportunity to introduce the audience to little known poems by Banjo Paterson’s younger brother Ukulele, and Henry Lawson’s younger brother Leroy.
The numbers were swelled considerably by the families and friends of the dancers without whom, once again, the audience would have been very small indeed.
We then moved inside for afternoon tea, and Jan Williams presented David with the Marian Mayne award for First Prize in the Open Poetry section.
Jim Brown was not able to attend the festival this year, and was therefore unable to perform his traditional rendition of ‘Dusk’ to close the festival. I performed it in his stead, with musical accompaniment from Maggie.
The gardens looked splendid as always. The weather was rather dismal on the Saturday, but picked up on the Sunday. Jan and her band of helpers performed admirably as they always do and, as I mentioned before, the food all weekend was delicious. The only thing missing was a good-sized audience!
It is hard to know precisely the cause(s) for this. We have an ageing membership, and are not attracting many new, younger members. The festival has been running in its current format for a number of years now, and perhaps a change is needed. Suggestions received included reducing it to a single day (probably the Sunday), or running it every second year. Further suggestions are welcome.
In summary, the festival this year was enjoyable and successful, but it would have been nicer to have had a few more people there!
Maggie and I visited the Benalla Entertainment Muster last Sunday. This is an annual event run by the Victorian Bush Poetry and Music Association, and organised primarily by Cudgewa-based Jan Lewis. It is a great fun weekend, and I have been attending it for a number of years now. It is also a good opportunity to promote the Toolangi C. J. Dennis Poetry Festival, which usually follows a week or two later. (This year it is following a week later – taking place this coming weekend.) Some years I have attended on both the Saturday and the Sunday, staying overnight in Benalla, and Maggie has joined me for the two days a couple of times in recent years, but my current work commitments make it difficult for me to get there on the Saturday.
As always, it was great fun. This year, a ‘sea shanty’ theme was chosen, which lent itself to being interpreted in a number of ways. Certainly the most visually spectacular of these was the court martial of Captain Kirley by Admiral Carrington and Co.
Val Kirley’s paintings of sailing ships added to the nautical atmosphere.
Maggie (back) joins Jan Lewis (left) and Christine Boult (right) in song.
Maurie Foun (lagerphone), Jim Carlisle and Jeff Mifsud (guitar) make music together.
Just a few snippets of what was a very enjoyable day…
My Performer Application for the festival was unsuccessful this year, so I bought a ticket. Fortunately, there are plenty of opportunities for ‘walk-up’ poets to perform at the festival.
I headed off with my son, Thomas, on the morning of Good Friday. It’s a long drive from Melbourne to Canberra, but fortunately I still had time to find a camping site, erect the tent, and attend “Poetry in the Round” in a new tent venue, “Festival Hall”. The MCs were Peter Mace and John Peel (see below).
In recent years, this event has been held in The Terrace, a very civilised room in the pavilion above the Sessions Bar. The great advantage of this venue is that it is very quiet and well sound-proofed. Performers in “Festival Hall” were constantly having to compete with the noise from other acts, especially the parade, heading past the front door first one way, then the other. One advantage of this year’s venue was that there is a lot more ‘passing trade’, with a greater likelihood of people dropping in casually to ‘check it out’. The tents can also get very cold at night. Fortunately, Easter in Canberra this year was quite warm.
The Poets’ Breakfast on Saturday morning was a big event, as these Breakfasts always are. There was a new award this year, the “Blue the Shearer Award” for the Best Original Poem. This is being held to honour the life of Col “Blue the Shearer” Wilson, a very popular poet and great friend of the festival, who died last year.
The “Reciter of the Year” award, which continues, is for a recitation from memory, and the reciter does not need to have written the poem. The new award can be read, but the reader must have written it. In other words, it is an award for writing, not performing.
The other new development this year was that the festival feature poets were also eligible to win the wards. The judge for both awards this year was last year’s judge, Chris McGinty, as last year’s winner of the Reciter’s Award, Len “Lenno” Martin, was unable to attend the festival.
Another opportunity to perform presented itself at “Poetry in the Park” on Saturday afternoon. The MC was John Peel (see below).
My friend, Maggie Somerville, arrived on Saturday afternoon, having left Melbourne that morning. We attended “Poetry in the Round” again together in the evening, and each performed a poem.
At the Sunday Breakfast Maggie read “A Deadly Weapon”, her poem about the hazards of trying to smuggle a tin whistle into court.
At 3.30 pm on Sunday, Maggie performed with the Billabong Band from the Victorian Folk Music Club, during their presentation of “Songs of the Victorian Goldfields” at the Trocadero. The band had been thrown into some disarray following the very sad news that the son of two of its most prominent members had died on Good Friday, and they had had to return to Melbourne. Replacements were arranged at short notice, and overall the show went well, but the situation was far from ideal.
Here is the full line-up…
(That’s Maggie in the red hat.)
A very interesting presentation took place in “Festival Hall” on Sunday night as Peter Mace and American cowboy poet Dick Warwick discussed the differences between cowboy poetry and Australian bush poetry. The takeaway message was that there are not a lot of differences, though perhaps the Americans are a little more reverential in their choice of subject matter. Then again, at least as I understand them, Ned Kelly is a far more ambiguous figure than Billy the Kid.
Here are Dick and Peter in animated conversation…
Chris McGinty announced the winners of the awards at the Monday Poets’ Breakfast. John Peel won the “Reciter of the Year” award with a poem he wrote himself, “When Elvis Came Back from the Dead”, which he performed at the Friday Poets’ Breakfast. Peter Mace won the inaugural “Blue the Shearer Award” with his poem about Kerry Stokes buying a VC medal at an auction for a million dollars to keep it in Australia, and then donating it to the National War Museum. (I haven’t found the title yet.)
Congratulations to them both!
Maggie headed back to Melbourne early on Monday morning, and Thomas and I left about midday.
Once again, the National Folk Festival had been very successful, and highly enjoyable!
It was both a joy and a privilege last Saturday afternoon (24th February) to host the launch of the new CD of original songs and tunes, ‘Baloney’, by my dear friend Maggie Somerville, at my home in Northcote.
Maggie began working on the CD two years ago, in the studios of Hugh McDonald (ex-Redgum, writer of the iconic song “The Diamantina Drover”). Sadly, Hugh died in late 2016 before completing the project. Fortunately, Hugh’s bass player, James Clark, agreed to help her finish it, first in Hugh’s studios, then in his own studios in Riddells Creek.
Maggie had been watching the long range forecast with an eagle eye for the previous two weeks, and had accepted that it was likely to rain during the event (although that turned out not to be the case!), and wet weather plans were put in place. The audience would be seated on plastic chairs in my living room, while Maggie and the band would be outside, on adjacent covered decking. Double doors allowed the audience good access to the musicians.
The launch was further complicated by the sad death of former President of the Victorian Folk Music Club Harry Gardner, with a memorial service in his honour being held in Ringwood on the morning of the launch. A number of the musicians, including Maggie, were planning to attend, which would make the timing tight.
(One of the tunes on ‘Baloney’ is titled ‘Harry’s Baking Bread’. Harry frequently hosted music rehearsals at his home, and in his later years mastered the art of baking bread, which he served for supper. Maggie was asked to play the tune at Harry’s service, and say a few words about him, which she was thrilled to have the opportunity to do.)
Catering was to be organised by Maggie’s daughters Gronya (who would also be singing) and Bridget, and two of Gronya’s friends, Suzanne and Mary-Anne.
Maggie had also printed a small number of purple T-shirts featuring the beautiful cover art of the CD, created by Hilary Jellett.
As it turned out, the day was a great success. The musicians all arrived in time (just!), the rain came prior to the event, and held off during the launch itself, the audience arrived in good time, and ideal numbers (a full house, but not over-full), and the catering was superb.
Maggie managed to perform all twenty tracks on the album, only running slightly over time, and that was in spite of a good long break for tucker at the halfway mark.
There was a great mood during the afternoon, and it was clear that everybody – audience and musicians alike – had enjoyed themselves immensely.
(Thank you to Catherine Leslie for this photo of the musicians.)
Maggie is joined by friends (and daughter Gronya, far right), in her ode to her hot water bottle…
Maggie is assaulted by a creeper in her song “The Creeper’s Curse”…
Maggie sings of the trials and tribulations of breast feeding…
Congratulations to Maggie and her large cast of musicians (see below) on a wonderful afternoon’s entertainment, and a very successful launch of ‘Baloney’.
Bill Buttler – guitar, ukulele
Maree Buttler – piano accordion, vocals
Katy Cottrill – vocals, percussion
James Clark – bass
Catherine Leslie – violin
Michael Parker – Uilleann pipes
Bryce Russell – keyboard
Ray Simpson – didgeridoo
Gronya Somerville – vocals
Bruce Watson – snare drum
Jill Watson – glockenspiel
Trevor Voake – mandolin
Gronya and Maggie.
Stephen (me) and Maggie.
(Thank you to Gronya Somerville for this photo.)
Here is a full track listing:
1. A Dog’s Life
2. A Little of Your Time
3. The Breastfeeding Blues
4. Hugh McDonald’s Lament
5. Streets of Fear
6. Koori Spirit
7. Don’t Give Up Your Name
8. Dunlewey Dream
9. One Forgotten Soldier
10. Aussie Christmas Day
11. How I Love My Hottie
12. Whiskers in the Whistle/Harry’s Baking Bread
13. Heroes of Guadalcanal
14. The Creeper’s Curse
15. Bridget’s Bicycle/Foster Market
16. Wattle Day
17. Garage Girl
18. The Weatherboard House
19. Sunset Farewell
20. Edith Oenone
A second launch of ‘Baloney’ will take place at the Ringwood Folk Club (Knaith Rd. Reserve, Knaith Rd, Ringwood East – Melway 50 B8) on Tuesday, 13th March. VFMC member Jane Bullock has choreographed a dance for ‘Harry’s Baking Bread’, which will also be performed on the evening.
Further information about the Ringwood launch can be found here:
Further information about ‘Baloney’ can be found on Maggie’s website, here:
Last weekend I travelled with Maggie Somerville to Newstead, a small town in central Victoria, for the annual “Newstead Live!” festival that straddles the Australia Day long weekend (when we have one!), and is close to Australia Day when we don’t. Usually the last weekend in January. Just before the schools go back. Something like that.
It was a scramble for me to get home from work after a long day, pack the car, head over to Maggie’s place, pack her stuff (and re-pack the car), then begin the roughly two and a half hour journey up the Calder Highway to the festival reception office and, eventually, our camp-site. It was well after 10 pm when we finally arrived, and we knew we had to be ready, bright and chirpy, for the Poets’ Breakfast at 9 am, followed by our own children’s show at 10.30 am. (Why do we do it? Because we love it!)
The Breakfast was MC’d for the umpteenth time (excellently, I might add) by veteran Melbourne-based reciter Jim Smith.
As always, the show was of a high standard. Here is a sample of the performers.
The show, as always, was well received.
This was the first year without Andrew and Heather Pattison and their small army of friendly helpers, as Andrew and Heather have now retired from the festival. They were missed – not only because of their smiling faces, but because food and drink was no longer as accessible. We were required instead to make our way to the not-too-distant pavilion where, it must be said, the service was friendly and professional.
Maggie and I had to leave early to make our way across town to “Lilliput”, the child care centre where our children’s show was being staged. It took a little while for the audience to gather, but the show – a mixture of songs written by Maggie and songs written by me, with a couple of my poems thrown in for good measure – went well.
Swinging the billy was a big hit!
We had a chance take a bit of a rest before the “Grumpy Old Poets” at the Anglican Church at 4 pm, where I was MC, and we both performed. The highlight of this ‘come all ye’ poetry event was the thunder and lightning that raged outside. We felt safe and secure inside the little stone church. Little did we know at the time just to what extent we were in fact its victims!
We had dinner at the pub (so Maggie could watch the Women’s Single Final of the Australian Open on the TV – go Caroline!), then bumped into Suzette Herft leading the community singing across the road later in the evening.
Maggie joined in on her whistle.
We returned to our camp-site tired but happy, looking forward to a good night’s sleep before doing it all again the following day.
Alas, the scene that greeted us in front of the headlights of my car gave us quite a shock…
It turns out that my casual attitude to erecting tents had finally caught up with us! The damage had obviously been done during the “Grumpy Old Poets”. The fly had been torn off the tent, and one of the tent poles, thus unsupported, had snapped in the wind. Our bedding was soaked, and puddles of water had gathered on the tent floor. (So that’s whey they attach guy-ropes and loops for pegs to tents…)
I eventually managed to prop the tent up with the shorter pole from the annexe. Searching around for bits of bedding that were merely moist rather than soaked, we managed to get a reasonable night’s sleep. (I think I slept better than Maggie did.) Fortunately, it was a warm night.
The next day was very hot, and our gear dried quickly. The tent remained a rather misshapen lump, but it was adequate for our needs.
Highlights for us after the Breakfast and our own show for children the following day were Keith McKenry and Jan Wositzky at “Lilliput”…
… and Geoffrey Graham and Carol Reffold at the Anglican Church.
(Geoffrey snuggles up to Maggie)
(Carol is joined by Christine Middleton with her beautiful harp)
A dip in the Newstead pool was a great way to wash away a few cobwebs (and beads of sweat) at festival’s end.
In no hurry to return to Melbourne, we took time out to marvel at the Malmsbury Viaduct on our way home.
Another great Newstead Live! lay behind us, but the memories (a somewhat mixed bunch, to be honest, what with the storm and all..) will remain forever.
Last Sunday (7th January, 2018), I went kayaking with Maggie Somerville at McLoughlins Beach in Gippsland. It is not a place either of us have been to before, but looked promising on the map – plenty of sheltered water – and was within striking range (approx, 70 km to the east) of Maggie’s house at Foster, where we were staying.
It turned out to be a great choice!
Firstly, there was a boat ramp. Two trips last year (Tarra River, Port Franklin) had required us to launch on a slope of deep, sticky mud, which is best avoided if at all possible.
The water generally turned out to be far shallower than it looked from the shore. First destination was the pier at McLoughlins Beach. This looked a long way off at first, but we reached it in no time.
Now it was time to head south, and cross a major body of water towards what appeared to be a long sandy beach in the direction of Bass Strait. We were constantly accompanied by bird life during the journey, especially cormorants, ibis and herons. We dislodged this flock of as we searched for a spot for lunch.
As a general rule, there was a wide stretch of soft mud between the water and the sand, but we found a section there the muddy strip was relatively narrow…
…and settled down for a feast of bread, cheese and water!
Say “bread and cheese”!
Thanks for this photo, Maggie. (Sorry about the swimming togs – bought in an emergency in Foster a year or so ago!)
Time to soak up a few UVs…
…then off on the last stage of the journey, and possibly a chance to stand before the Bass Strait breakers.
We headed off across a good stretch of deep, blue water towards a stretch of sand that looked very close to the ocean. (We could see it through a break to our left.) Suddenly, we found ourselves surrounded by tiny seabirds, beautiful little terns, with their distinctive forked tails and small black heads. They were diving into the water from a great height, and at great speed, all around us. It was a truly spectacular sight to behold! (No photos, unfortunately.)
At last we made landfall. (Can you see the kayak? It doesn’t look very big, does it!)
The ocean was indeed not far away. (Again, no photos.) A sign told us that we had in fact landed on a large sandy island. 1080 had been laid to kill foxes. Dogs were banned. No wonder the terns were thriving!
Alas, it was time to make the journey home once more.
A healthy bunch of pelicans awaited us upon our return.
McLoughlins Beach – not a well known destination, but well worth a visit!